NewsTrust is, to quote from the site's header, "Your guide to good journalism." Specifically, NewsTrust links to stories published both by well-known media and by less-known blogs, and asks its users to rank and review those stories on accuracy, balance, context, evidence, fairness, importance, information, sources, style, and trust. It's an ambitious effort with an impressive group of advisors, that is starting to be taken very seriously by a growing number of people who follow media matters closely. Founder Fabrice Florin is reasonably impressive himself. He's been a leader in online multimedia content for many years, and if you remember the excellent mid-1980s documentary film Hackers, he's the guy who directed and produced it. Fabrice is kind of a "behind the camera guy," so there aren't a lot of interviews with him out there. Usual Slashdot interview rules apply.

When I heard NBC was going to tape delay most of the Olympic events I knew they were kidding themselves if they thought they were going to be able to stop people from accessing Olympic content being broadcast real time in other countries.

Yesterday, I was working on a deadline project so I had both my desktop machines going and my laptop as well. But I was spending most of the time on my desktops, so I set the screen saver on the laptop to run through all the pictures I've got in my My Pictures directory. This would be four years or so of pictures I've taken with my little point-and-shoot Kodak camera.

So, Gannett Media has invested $10M in Mogulus. Apparently, Gannett understands the power and usefulness of not only live-streaming, but video uploading in general. Gannett is best known for owning a lot of media, including USAToday and a ton of local news stations (including one in my local market). Gannett gets it. They know that investment in live-streaming could actually cut their bottom line later, when live-streaming is used for traditional media and news coverage (no satellite uplink needed to feed to the news station).

Multiple readers, including koavf, have written to tell us the FCC has finally approved the Sirius-XM merger that has been in the works for quite a while now. CNN has picked up AP coverage as well. We discussed approval of the merger by the Justice Department a few months ago. From CNN: "The Federal Communications Commission voted 3-2 to approve the buyout, with the tiebreaker coming Friday night from Republican commissioner Deborah Taylor Tate. Tate had insisted that the companies settle charges that they violated FCC rules before she would approve the deal. The companies agreed this week to pay $19.7 million to the U.S. Treasury for violations related to radio receivers and ground-based signal repeaters. FCC Chairman Kevin Martin confirmed the final vote Friday night. 'I think it's going to be, in the end, a good thing for consumers and be in the public interest,' he told The Associated Press."

We were a bit disappointed when we heard the recent two-episode Watchmen series announcement since it was to be set as a brawler. However, it seems that these two games will be set as a prequel with the ability to play either Nite Owl or Rorschach in the days before superheroes were outlawed. "If you're wondering who could possibly replace the much-revered Alan Moore in the scripting department -- as the story is the linchpin upon which the whole Watchmen experience pivots -- comic fans will be glad to know that respected comic veteran Len Wein (co-creator of DC's Swamp Thing and Marvel's Wolverine characters) is on board to provide the dialogue, and original Watchmen illustrator Dave Gibbons is lending his insights as the game's adviser. Due out around the same time as the film's theatrical release, the game will be released in multiple parts designed to lead the player up to the graphic novel/film's events."

NewYorkCountryLawyer writes "A group of 10 copyright law professors has filed an amicus curiae ('friend of the court') brief on the side of the defendant in Capitol v. Thomas, agreeing with the judge's recent decision that the $222,000 verdict won by the RIAA appears to be tainted by a 'manifest error of law.' The clear and well-written 14-page brief (PDF) argues that the 'making available' jury instruction, which the RIAA had requested and the judge ultimately accepted, was in fact a 'manifest error of law,' making the point, among others, that an interpretation of a statute should begin with the words of the statute. My only criticism of the brief is that it overstates the authorities relied on by the RIAA, citing cases which never decided the 'making available' issue as cases which had decided it in the RIAA's favor." As it turns out, the MPAA, close ally to the RIAA, has come forth with a more controversial view. They suggest that proof of actual distribution shouldn't be required. From their brief (PDF): "Mandating that proof could thus have the pernicious effect of depriving copyright owners of a practical remedy against massive copyright infringement in many instances."

Larry Meistrich started making movies with next to no money. He's the founder and chairman of NEHST Studios, "a diversified film production, financing and distribution company" that opened its doors in May, 2007. As the above links show, Larry is a serious expert on the inner workings of the movie and TV production business, with a long string of production successes on his resume. Ask him whatever you like. Usual interview rules apply. And who knows? Maybe NEHST will finance your next movie.

Erik J writes "Remember about six weeks ago when Motley Crue and Rock Band partnered to release a new single premiering first in the game before anywhere else? Come to find out their song 'Saints of Los Angeles' was downloaded over 47,000 times on the Xbox version alone, beating out digital services iTunes and Amazon who only were only tapped 10,000 times for the single."

amplt1337 writes "Debates about the profitability of 'free' continue to rage, but at least one major media conglomerate — Viacom — is pushing forward with releasing paid-for content for free on the Internet. Of course, the prospect of free and easy full-length Daily Show episodes has caused some tension with cable providers, who pay a hefty premium for a heretofore-exclusive right to distribute the conglom's content (there are obvious parallels with the conflict between labels and musicians). What strikes me as really interesting is that even an old, entrenched company like Viacom has enough vision to see the opportunity for increased profits through free distribution — provided they can control that distribution (see their YouTube lawsuit) and have discretion over just how free they go. Of course, the NYT itself has had its own experience with expanding access to previously fee-based content ..."